Never Enough is a platform for radical artistic expression. A collective of underground artists who posit their art as both experience and antidote.
They exist as a two-part force: (1) A collective of provocateurs shaping the present and future of underground performance. (2) A producer of playgrounds where artist and audience are part of the experiment.
Blue Mountains-based Never Enough is a project of nightlife curators, creative producers, DJs and dancefloor enthusiasts Estée Louder & Mason Browne. At Superposition they will bring their late-night party experience to Katoomba.
They believe in the collective power of dance music and community. The underground has always flourished in times of adversity, and our dance floors will endure as gatherings for healing, pleasure, release and connection. These spaces and how our bodies interact with them are a radical act.
Estée Louder is an Australian-based artist, event producer, underground agent and dance-floor devotee. Revered for her ability to seamlessly blend between house and the darker realms of electro, experiments, noises, waves, techno and nu-disco, she eludes genres with her brash performances and notable style.
Her sets are audacious sonic explorations – playing with energy and timing to implement a wicked restaint and freedom that results in physical and vocal exultations. Her dance floors are left breathless; her DJ sets designed to leave you feeling exorcised and energised.
Dharug mob and spinner, production designer, underground agent and party starter – Mason Browne sprang, fully formed from a divine discothèque bathroom where they cut their teeth as Dunny Minogue. They curate dancefloors that serve as unapologetic, high-energy tributes to the sonic vibrations that liberated them, often crafting a theatrical voyage through garage & nu-disco, Chicago, classic & acid house with their unique dose of drama.
Their DJ sets and curated spaces are sanctuaries where the weary can remove their armour and revel in authenticity, find community and liberate themselves from the weight of the world. Their theatre design practice explores ideas of embodiment, metamophosis, dramatic contrast and notions of the everywhen.